Sunday, October 31, 2010

A VERY KINKY GIG

The Grace Darling is home to many life-affirming activities: eating chunky chips and a decent roast, drinking Rekorderlig cider or a generous glass of wine,  visiting the Hello Sailor Vintage Fair merchants to pick up a fancy brooch or polka-dot dress. And then, of course, there are the gigs. This Hallowe'en, the Grace was host to Tessa And The Typecast's launch of their new EP 'Painter'. 
They look like such a cute bunch don't they? That's Tessa down front in her mustard coat. When Tessa isn't providing you with all your colourful, winsome threads at Melbourne fashion institute Kinky Gerlinki, she is crooning in dulcet tones, creating a sound that has been described as a cross between Mumford & Sons and Washington. 
I like to think that Melbourne does the whole collaborative thing pretty well. Tessa's gig proved me a big resounding RIGHT as the ladies of the Typecast took to the stage dressed in vintage inspired frocks lovingly stitched by another Kinky Gerlinki lady, Amy Dickinson, of Blonde Moss label. 
Blonde Moss is unlike any other label, with bright and playful garments created from vintage fabrics often sourced from the tucked away shelves of Lost + Found and various other Melbourne fabric purveyors. 
This is just one of many winning dresses from Blonde Moss. Visit her online store here.

x


Monday, October 25, 2010

LUCID MEMORIES

Flickr//ValeriaDadDetta.

My mum smells like a combination of Dolce & Gabbana perfume and gardenias. Whenever the year approaches it's summery, floral end (northern hemispherites, this is when you plunge your face in the snow), I often think of my mother wafting through our old house on balmy afternoons in a haze of delicate scent. When I was just a girl smearing my mouth with Lip Smackers, and blindly attempting to channel Alicia Silverstone in Clueless with  knee high socks and tweed two pieces, my mother was spritzing herself with Issey Miyake and draping silk kimonos around her shoulders. My favourite past time was sneaking into my parents bedroom, opening the big blue doors to her wardrobe, and feasting my eyes on the treasures within. Swathes of chiffon, Ferragamo sandals, giant belts, shoulder pads, boxy bags with red lining - the multitude of possible outfits was at once overwhelming and exciting. I never left that room without donning her red velvet hat, clumsily applying deep maroon lipstick, and dancing around the bed pretending I was a movie star from the 1920's. On the afternoons my older sister was out with her gang of cool friends and I was stuck at home writing in my journal and pretending to be Pocahontas, I would make the trip up to her room, the attic, and play dress ups (Lucy, if you're reading this, I apologise). Her clothes, encased in a wardrobe with big shutter doors, represented the best of the 90's. Doc Martens, Hypercolour t-shirts, chains and crosses, black lace tops and tartan mini-dresses, all smelling like Impulse deodorant and rebellion. I would return to my small room, slide the mirrored door to my modest wardrobe open and hope that, one day, I would own my own set of garments that would elicit sneaky dress up sessions and doe-eyed admiration, and smell like something more glamorous and sexy than soap and the school yard. 
I was never the cool kid. I always asked my sister to pick out my outfits (I bribed her with dollar coins and chores). I wanted to be just as aloof and cool as her. Yet I was always torn between looking like a Nirvana worshipping teen, all black lipstick and denim cut off jackets, or a product of my beautiful mother - peachy keen, tied together, ready for ballet class. It hasn't changed, even now. I can never settle on being the girly girl in creamy box pleated skirts, or the goth in a long black silhouette. I guess my memories of clothes and scent have shaped my own idea of what happens when you wake up each day and decide what to wear. I'm still playing dress ups, but this time with my own clothes, in my own big wardrobe, with my own perfume. And not a Lip Smacker or Impulse bottle in sight.

Sunday, October 17, 2010

THE OTHER PLACE

(Chloe Aftel for Contributor Magazine)

For a long time I wandered aimlessly. It felt like a long time. It didn’t feel aimless, however, or not in any carefree way: I was being driven by necessity, by fate, like the characters in the more melodramatic novels I’d read in high school, who would rush out into thunderstorms and lurk around on moors. Like them I had to keep moving. I couldn’t help it.
I had an image of myself trudging along a dusty or lumpy or ice-covered road, carrying a little bundle on a stick, like the hobos in comic books. But that was much too droll. More like a mysterious traveller, striding inexorably forward, entering each new town like a portent, then vanishing without a trace, mission accomplished.
…. I would welcome each new dislocation, unpack my few belongings with alacrity and even joy, then set out to explore the neighbourhood or district or city and learn its ways; but soon enough I’d begin to imagine what I’d become if I stayed in that place forever. Here, a stringy-haired intellectual, pasty-faced, humourless, and morbid; there, a self-satisfied matron, shut up in a cage of a house that would not be recognised as a cage until it is too late.
Too late for what? To get out, to move on. Yet at the same time I longed for security. It was a similar story with men. Each one was a possibility that quickly become an impossibility. As soon as there were two toothbrushes, side by side on the bathroom counter in trapped stagnant, limp-bristled companionship – I would have to leave.
…. Set against my desire for fecklessness was an opposite and more shameful desire. I’d never got over the Grade Two reader, the one featuring a father who went to a job every day and drove a car, a mother who wore an apron and did baking, two children – boy and girl – and a cat and a dog, all living in a white house with frilly window curtains. Though no house I’d ever lived in possessed such curtains, they seemed foreordained. They weren’t a goal, they weren’t something I’d have to strive for: these curtains would simply materialise in my life because they were destined. My future would not be complete – no, it would not be normal – unless it contained window curtains like these, and everything that went with them. This image was tucked away in a corner of my suitcase, like an emergency wardrobe item: nothing I wanted to wear at the moment, but worse come to worse, I could take it out, shake out the wrinkles, and step into it.
I couldn’t keep up my transient existence forever. I would have to end up with someone, sometime, someplace. Wouldn’t I?
But what if I missed a turn somewhere – missed my own future? That would be frighteningly easy to do. I’d make one hesitation or one departure too many and then I’d have run out of choices; I’d be standing all alone, like the cheese in the children’s song about the farmer taking a wife. Hi-ho, the derry-o, the cheese stands alone, they used to sing about this cheese, and everyone would clap hands over its head and make fun of it.
…. In my more rebellious moments I asked myself why I would care about being shut out of the Noah’s ark of coupledom – in effect a glorified zoo, with locks on the bars and fodder dished out at set intervals. I wouldn’t allow myself to be tempted; I’d keep my distance; I’d stay lean and wolflike, and skirt the edges. I would be a creature of the night, in a trench coat with the collar turned up, pacing between streetlights, my heels making an impressively hollow and echoing sound, casting a long shadow before me, having serious thoughts about topics of importance.
…. At the time I’d set out, all women were expected to get married, and many of my friends had already done so. But by the end of this period – it was only eight years, not so long after all – a wave had swept through, changing the landscape immediately. Miniskirts and bell-bottoms had made a brief appearance, to be replaced immediately by sandals and tie-dyed T-shirts. Beards had sprouted, communes had sprung up, thin girls with long straight hair and no brassieres were everywhere. Sexual jealousy was like using the wrong fork, marriage was a joke, and those already married found their once-solid unions crumbling like defective stucco. You were supposed to hang loose, to collect experiences, to be a rolling stone.
Isn’t that what I’d been doing, years before the widespread advent of facial hair and roach clips? But I felt myself too old, or possibly too solemn, for the love beads and pothead crowd. They lacked gravity. They wanted to live in the moment, but like frogs, not like wolves. They wanted to sit in the sun and blink. But I was raised in the age of strenuousness. Relaxation bored me. I thought I should be making my way in the world, wherever that was. I thought I should be getting somewhere – in my case, as things so often were, somewhere else.
~ Excerpts from “The Other Place” by Margaret Atwood
Love this extract so much. I wish I could write like this.
x

Saturday, October 9, 2010

PESKY MEMORIES


'Reminisce: To indulge in enjoyable recollection of past events.'
And why, I put to you, wouldn't you want to do that? Seems like a lovely way to wile away the time. There is nothing like sitting with a group of friends with whom you have a history, and poring over past events with a few bottles of wine and whisky (to help spark the old memory jolter, of course). It only really becomes dangerous when you begin to live in your past - holding on to your memories so firmly that you fail to let them go and allow yourself a moment in the present. But, before I get too philosophical and Zen/Taoist on you guys, I need to admit to something: I LOVE to live in the past. Ok yes, the female race may be predisposed to indulge in nostalgic thought; I love to remember days gone by - even the really, really bad ones (especially the really, really bad ones). I sit for hours thinking about moments when I acted with passionate abandon, and about the times I held back in fear. I try not to analyse too closely and I certainly don't regret - I merely enjoy the pleasure of remembering. 
In Albert Camus' masterpiece 'The Outsider', Meursault is condemned to a pretty horrid existence in his small prison cell. He finds that he can pass the time by remembering the physical details of his bedroom. The process of remembering every single detail distracts Meursault sufficiently. Memory is a wonderful tool our brains are equipped with, however with it comes a certain level of attachment and burden. And, just as the future doesn't exist, neither does the past (it exists only in our memory) - so what can be done when you feel like you're living with your past, in your past. How do we let go, but not forget? The truth is, peeps, I have no idea. I sometimes wonder how I'm meant to know the difference between comfort and clarity - should I even try?! Comfort is sought out by us in many ways - through past relationships, photographs, the smell of dad's infallible bolognese, that CD you always listened to when you first fell in love....the list goes on. Clarity, however, is a little harder to pin down. At least for me. And she's always so fleeting too. So, what am I trying to say here? Clarity=present. Comfort=past. 
Maybe if you can find clarity in your past, you can find comfort in your present?

I'm hungry - planning on pancakes for sunday morning treats. 
x

Wednesday, October 6, 2010

DREAMING OF BERLIN







I can't stop thinking about Berlin. I've never been, but for some reason, these images make me think of Berlin - beautiful people, subtle and evocative, hardy yet playful. I'm planning on going in January, so here's hoping I will return with my own images.

Image Credits: Top - Mara Corsino. 2nd - Fashionising.com (Toni Maticevski). 3rd - Francois Visser (contributor.com). 5th - Model 'Imagen'. 6th - Francois Visser.

xx





Monday, October 4, 2010

THE CHANGE.


Sssh. Hear that? I think you just heard a cider bottle opening. I'm trying not to get too excited - but I'm pretty sure that cider+sunshine = summer is on it's merry way to Melbourne! Yes, it's been a long winter. Possibly the longest I've known this fair city to endure. But, we are emerging from the darkness towards brighter, sun-drenched skies. Now, quick - before it gets so roasting that you can't step outside without feeling like Bear Grylls in the Sahara, get out of the house and onto the cities laneways. I had a little ramble around the city today, and found the clement air perfectly complemented the shady alleys and surreptitious street art.


xx